Paul Thomas Anderson shot One Battle After Another on VistaVision cameras from the 1950s. The cameras had been personally restored by actor Giovanni Ribisi, who let the production use them. They shot 1.5 million feet of film. The camera system had not handled that volume in decades.
It was also the first time Anderson had done audience test screenings since Boogie Nights in 1997. He cut eight to ten minutes based on what he heard.
Anderson had been trying to adapt Thomas Pynchon's Vineland since the early 2000s. The film took about twenty years to crack.
Someone on Backlot just watched it. It is on Max now and it is worth a night.


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